Despite decades-long waves of decadent disinformation, whites are waking up. The Alt Right boasts of a successful year in 2015 and plans to move further this forthcoming year. We are fighting a war that transcends politics. It transcends culture. It transcends biology. Encompassing all of the above, the Alt Right is in a war for the heart and soul of the West- to regain the vitality of a once proud and mighty civilization not so far away (both past and future).
No
war is fought through societal coercion. To win back civilization,
one must assert their vision for
it. Every
great movement has its bard- the drummer who inspires in the hearts
of his comrades the will to carry on- the poet who encapsulates the
soul of the Nation. Greece had Homer. Britain- Shakespeare. The
hippies- Woodstock. The Alt Right, as every early movement, needs its
bards. T.E. Lawrence said “All men dream: but not equally. Those
who dream by night in the dusty recesses of their minds wake in the
day to find that it was vanity: but the dreamers of the day are
dangerous men, for they may act their dreams with open eyes, to make
it possible.” Artists are the dreamers of the day.
Up until the “New
Hollywood”, the period from the late 60s through early 80s,
American cinema had become old and stale as the result of the
puritanical sterility of the 50s. Americans had grown dulled by the
banality of watching married couples sleep in two separate beds and
lawful authorities depicted as unquestionable heroes- all in the name
of reactionary patriotism. Starting with Bonnie and Clyde, and
an entire generation of filmmakers and artists (many of whom trained
by the newly Frankfurtized university systemi)
who grew up with the Kennedy assassination and Civil Right movement,
American cinema would never be the same. In an increasing and
unstoppable fashion, American social norms were being questioned-
from the politics of American exceptionalism, to race relations, to
gender roles. What could have been a reasonable challenge of the
bourgeoisification of America, grew into an inversion when put in the
hands of young and spoiled Baby Boomers who grew up with lives void
of purpose. Awkward chastity was replaced by disillusioned nihilism
under the guise of progressive idealism.
Fast-forward 50
years and the children of those Baby Boomers have become the
establishment, and no different than the American reactionaries of
past, they have become stuffy and stale. The average Hollywood films
and television shows are alike- the cast is multicultural, but
characterization identity-less. Gender roles have been abolished.ii
Aside from Tarantino, a home-grown Gen-X L.A. liberal, racial slurs
are not tolerated. Every other commercial consists of a passably
attractive mulatto living in a picket white house- desperately
teaching us “great unwashed”iii
through increasingly less subliminal imagery that “we all bleed
red”. Anything aside from this narrative is a rarity, and usually
the work of an elite auteur or independent filmmaker. Meanwhile,
America is more bourgeois than ever.
Something is in the
air, though. While the majority of Americans are too dense to even
interpret a narrativeiv,
let alone know what a narrative is, a great many are waking up.
They're beginning to see the blatant politically correct
normalization of our culture.
To this reaction
there must be an action. While past Rightist filmmakers such as John
Milius made their mark in Hollywood with quasi-B films like Conan
the Barbarianv
or Red Dawn, and “morally fascist”vi
films like Dirty Harry and Death Wish became hits-
phrases like “Make my day”* entering the household lexicon- the
small flicker of rugged Rightist masculinity left in cinema soon
parodied itself out of existence with innumerable sequels and rip
offs. James Bond is no exception.vii
This brings us to
now. Visions and sounds muster conviction greater than any written
word. Cinema is the ultimate Gesamtkunstwerk-
the art of totally bullshitting an audience into entering a conjured
world by evoking all of their art-perceptive senses. Cinema, through
its manipulation of our voyeuristic impulses, possesses the power of
altering our perception of reality. The only reason my ex-girlfriend
used to harp on my racial consciousness is because every racially
conscious white male she knew was an Illinois Naziviii-
a two-dimensional caricature confined to a two-dimensional square in
her living room. Hence, cinema is the prevailing art form of the day.
Nietzsche said "In
art man enjoys himself as perfection."ix
Nietzsche
believed the artist is
a man who uses
his will-to-power, not in the service of shaping reality,
but to become lord of an imaginary world.
While this may seem rather masturbatory or voyeuristic to
some, never forget that many of man's greatest achievements sprang
forth from his myths. Before
the Wright brothers there was Daedalus. Before Apollo 11 there
was Jules Verne and Georges Méliès.xxi
Where would retail stores and their sliding doors be if it wasn't for
Star Trek? The fact that T. E. Lawrence, the author of the
quote atop, is best known for his namesake filmxii,
testifies to the power of myth. For decades the Left has artificially
constructed multicultural ensembles on television screens, convincing
Americans that diversity is a commonplace occurrence. For better or
worse, art distorts reality. It can also be utilized to provide men
with a vision for the future- a blueprint for the less visionary
among us. Men must dream before they do. The job of the artist
is to make men dream.
What will the
history books say? What kind of music will our children listen to?
The two are really the same question. As the Alt Right marches its
way through human events in these coming years and takes its rightful
place at the forefront of the West's political (or more importantly,
metapolitical) future, we must confront these questions. What will an
Alt Right future look like? What heroes will our children dress as on
Halloween? Again, the same question. If we are to take our culture
back we must make the culture. We can save the West. We can
give birth to a Renaissance greater than the last. We can travel into
the final frontier. But before we do those things we need our bards
and drummers to make men dream again.
ihttp://www.iep.utm.edu/frankfur/
iihttps://en.wikipedia.org/wiki/The_Communist_Manifesto
iiihttp://www.thedailybeast.com/articles/2010/10/25/katie-couric-on-her-contract-cbs-and-love-of-the-campaign-trail.html
ivhttp://www.forbes.com/sites/scottmendelson/2016/01/04/box-office-star-wars-the-force-awakens-nabs-90m-weekend-for-742m-total-will-top-avatar-soon/
vhttp://www.radixjournal.com/journal/2015/6/9/the-riddle-of-conan?rq=Conan%20the%20barbarian
vihttp://www.rogerebert.com/reviews/dirty-harry-1971
viihttp://www.libertarian.co.uk/lapubs/cultn/cultn029.pdf
viiihttps://www.youtube.com/watch?v=-ukFAvYP3UU
ixhttps://en.wikipedia.org/wiki/Twilight_of_the_Idols
xhttps://en.wikipedia.org/wiki/From_the_Earth_to_the_Moon
xihttps://en.wikipedia.org/wiki/A_Trip_to_the_Moon
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